![]() No seu pico de Protobelt você já pode vencê-lo 1v1 se você jogar corretamente. Lá, mas é meio inútil porque ele apenas auto a onda e cura mais de 100 HP com sua passiva. ![]() Você também pode fazer isso mesmo que seu caçador não seja Como você está prestes a entrar em seu W, Nocturne usará seu escudo de feitiço, mas seu escudo de feitiço absorverá seu E e não seu atordoamento de W. Inútil para bloquear o W de Ekko se Ekko for quem está se envolvendo. Nocturne tem um escudo mágico, mas é completamente Esconda-se fora da visão e W em cima de sua onda. Nocturne sempre fará Q e então caminhará até o meio da onda para eliminá-la. Você sabe de que lado ele está adiantado, ping seu jungler para vir. Ao jogar Ekko é muito fácil configurar ganks no Nocturne. E longe de seu medo se ele for agressivo. Respeite o poder inicial absurdo do Nocturne, especialmente o nível 2-3. Nocturne se move, geralmente para saber de que lado ele está. Considere a pista de proteção antecipada para veja de que lado Você está feliz apenas em cultivar sob a torre e relaxar. Felizmente, Nocturne não pode realmente vagar como Nunu. You have some cool ideas here, work on the execution and see what else you can do with the source.Atemporal says “Semelhante a Nunu, Nocturne irá empurrá-lo com força no nível 1 e você não pode fazer muito sobre isso. Try rewriting the source into a groove or move its melody to different chords for some variation. Your arrangement seems a bit stuck with repeating the source verbatim or using some original parts. Your mix is currently in the second category. iZotope had a freebie called Vinyl that did this, and the Luxonix LFX-1310 has a couple of old tech-related functions.īut as he already stated, an intentional old sound is one thing, a subpar production is another. An accurate old equipment distortion would be difficult to simulate, tho there's a number of filters and noise plugins that can get you some other artifacts of old equipment. However, very few distortion plugins are made to handle that kind of distortion, most of them focus on amp-related tech or basic signal mangling. There is an amount of distortion involved in old equipment, so neblix isn't entirely right. ![]() A hall setting on a decent reverb plugin should do fine, tho a good convolution reverb would be better. there's someting here that sounds like a plate reverb or something, probably because it's way too short to work. I get that you want some dynamics in there, but when the lead doesn't reflect those dynamics at all it just seems like a mistake. There's some serious volume issues in here, especially the 0:42 transition. Also, the first instrument might be clashing with the guitar, I honestly can't tell but it's as if the pluck is either out of tune or in the wrong key. ![]() Not just suitably unsettlingly weird, but more newby-mistake weird. There are some parts of the harmony that's just weird. With a minimal arrangement, you really leave the instruments exposed so it takes more work to make the instruments feel natural. The details are probably inaccurate in this example, but the point is to try and be creative with the mastering. A friend of mine was contemplating running his album through an old tape reel or something like that and sending it back to his computer to get a vintage sound to it. Distortion is just going to make it sound really aggressive unless it's so light that you can barely tell there is any. It has to do with EQ, compressors, clipping and the like. Also, your sequencing sounds very stiff and the redead stuff is really just more annoying than it is adding to the music.Īlso, quick note, distortion has nothing to do with sounding "aged". Right now this mix is just really really quiet. If the whole mix is like that, you have to make the mix loud enough that it can stand on its own without needing clear pristine stuff to bring the mix up. High quality in the submission terms, at least what I gather from posted remixes and reading around the forums, just means that it has to be mixed well so you can hear everything clearly and the sequencing needs to not be mechanic and scream "COMPUTER GENERATED". I wanted to make a lo-fi, gritty sounding recording like something from an old record or tape but im worried that even though the poor quality is 100 percent intentional and done for an artistic reason, OC would not allow it because it only acceptsįor mastering purposes having it sound aged for a stylistic purpose doesn't mean it's not "high quality". ![]()
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